The Thing Posted: John Carpenter's "The Thing" wasn't so much a remake as a reinterpretation of John Campbell's classic short story. Closer in spirit to Campbell's conception of the Thing, Carpenter's film was both critically lauded because of the suspenseful storytelling and critically attacked for the excessive gore. While the gore is at times quite excessive it fits in with the audience expectations after films like "Dawn of the Dead" (the origianl 1979 movie)and other films of the era.
What's amazing is how audiences are drawn into the story despite the fact that there are no characters we really, really like. We admire many of these men and their resolve but we don't like them. They're the product of their harsh environment and isolation. Mac (Kurt Rusell)is the helicopter pilot for an Antarctic science station. Their dull routine is interrupted by a team of seemingly crazy Norwegians pursuing a dog. The Norwegians are killed and the Americans are left without any idea as to what might have driven the Norwegians over the edge.
Blair (Wilford Brimley)pours over the Norwegian journal brought back by Mac and Cooper (Richard Dysart)and discovers that the Norewegian team discovered an alien spacecraft with an occupant that was very much alive. More importantly, it can change into any shape and take over anybody. Mac, Childs (Keith David) and the rest of the crew must destroy the alien before it can spread to the rest of the civilized world.
Previously released as a "Special Edition" in 1998, "The Thing" has been remastered for this edition.The anamorphic widescreen presentation is, I believe, the first time this has been transferred in the anamorphic format. The previous widescreen edition looked exceptionally good and comparisons between the two transfers reveal minimal differences except for the fact that the new edition is presented in anamorphic (i.e. with a higher resolution) picture. There are some minor digital blemishes that occasionally crop up as on the previous edition (which makes me suspect the previous master was digitally remastered vs. creating a new master). The 5.1 Surround Sound mix has tremendous presence and is exceptionally good with crystal clear dialogue. Ennio Morricone's marvelous music sounds particularly rich and detailed. There's no isolated music track which is a pity.
The special features are exactly the same as the 1998 edition of the movie. "Terror Takes Shape" is an 80 minute documentary on the movie that includes both new interviews and behind-the-scenes footage from the shoot. Carpenter, Kurt Russell, the other members of the cast,the optical effects and make up crew and screenwriter Bill Lancaster on all phases from conception to post-production. It's an excellent and informative documentary divided into the various phases of production.
We also see outtakes including the deleted stop-motion animation that Phil Tibbert did for the movie. Carpenter cut almost all of it out in favor of the physical effects because they didn't quite mesh as well as they could have. There's substanial behind-the-scenes footage, photos and the work-in-progress visual effects for the film. Essentially, this indepth approach makes "The Thing" as close to a film school as you'll likely find on DVD.
We also get the original theatrical trailer, storyboards and conception art. The "Visual Effects-in-Progress" featurette t gives you a clue as to how the visuals and effects changed during shooting. There's also an annotated production background archive with an essay on the production illustrated with excerpts from the screenplay with photos and production drawings. There's also a brief essay on the casting in text format along with production photos from the film.
The commentary track is the original one from the 1998 release featuring John Carpenter and Kurt Russell. As with the "Escape from New York" commentary track, "The Thing" commentary track is exceptional with interesting and amusing stories related to the production of the movie as well as behind-the-scenes tidbits that fans will find valuable. Both clearly enjoy each other's company more twenty years after their first collaboration.
The packaging has been redesigned. While it is pretty cool, it's not going to be really durable. The exterior plastic cover like that for "Stir of Echoes" looks really cool and wraps around the carbord and plastic inner case. The inner case has photos and images from the movie. The inside, curiously, looks like it was designed for a chapter sheet or booklet but there's nothing inside. |
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